On Big Man With A Gun Nine Inch Nails presented the negative side of guns in America — gross and grotesque, violent and vulgar — another painful reality which some of its citizens prefer not to see. As the narrative voice behind The Downward Spiral album Trent Reznor is forever torn between running away and confronting the issue head-on.
One evening I sat Beauty on my knees – I found her bitter – And I reviled herArthur Rimbaud, A Season in Hell On Reptile, Trent Reznor reveals the ugliest side of his persona, wounded by broken relationships he treads a crooked line between misogyny, body horror and a burning hatred for Courtney Love. IfContinue reading “REPTILE: REZNOR, BEAUTY, AND SELF (COURTNEY) LOVE”
Reznor had his doubts about Hurt, conscious that even though it is not explicitly about suicide, perhaps a death revisited, it might still allow people to wallow in its mood long enough to fantasise about their own passing. Even though Hurt perhaps offers a glimpse of hope, it remains mired in realisation perhaps too late, and this distanced perspective can become appealing if it is allowed to be romanticised into the idea of being ‘in a better place’.
LISTEN – AN EXAMINATION OF THE GROUNDBREAKING ALBUM DETAILS THE SOUND, THEMATIC SCOPE, AND ENDURING LEGACY OF ONE OF NINE INCH NAILS’ MOST IMPORTANT MASTERWORKS!
So much of The Downward Spiral deals with things falling apart. Across the album we witness the narrator’s decline in slow-motion, powerless to stop the downward trend. As he loses control the songs become darker in tone but also more broken and diffracted in style and substance, this kaleidoscopic effect presenting the various aspects ofContinue reading “[RUINER] – REZNOR LEARNS TO LIVE THE LIE”