TEARS OF A CLOWN – DAVID BOWIE AND THE INFINITE MELANCHOLY OF SCARY MONSTERS

1980 would mark the year of one of Bowie’s most iconic looks, the pierrot clown that mixes joy with sadness, perhaps most well-known from the music video for ‘Ashes To Ashes’

PRAYERS ON FIRE: NICK CAVE AND THE BATTLE FOR TRUE FAITH

The songs of Nick Cave and The Bad Seeds have long explored religion as a continued struggle between doubt, dogma and belief

INTERVIEW – Glenn Hendler on David Bowie’s Diamond Dogs

Glenn Hendler is the author of a 33 1/3  book on David Bowie’s Diamond Dogs album. This interview follows on from my initial Bowie book research; where I was able to ask Glenn about his listening experiences of Scary Monsters and his thoughts on crime, terror and thwarted love across Bowie’s discography.

INTERVIEW – BOWIE PHOTOGRAHPER – SUKITA

Masayoshi Sukita is a Japanese photographer, renowned for his rock and roll photography and his long and enduring friendship with David Bowie. As part of the research for my new book Silhouettes And Shadows, a deep dive into Bowie’s Scary Monsters (And Super Creeps), I spoke to Sukita about the story behind his photographs that feature in the book.

Kingdom Come – David Bowie does Television

If heaven was ever a place on earth by 1980 David Bowie had yet to find it. Adopting “Kingdom Come” a song written by Tom Verlaine, as his chosen cover for Scary Monsters, Bowie elevates the lyrical struggle with God and the search for an afterlife into a new realm of spiritual angst.